While there remains tens of millions of people of indigenous descent throughout Latin America, much of their culture has been forgotten, deliberately repressed, or socially marginalized by the Spanish-influenced mainstream. Thankfully, a vast corpus of native languages, customs, folk beliefs, music, and visual art remains influential in many Latin American countries, and in some cases are even thriving. But architecture was generally absent from the long list of indigenous influences that, to varying degrees, remain prevalent (knowingly or not) in Latin American culture.
Hence my surprise, and subsequent delight, at a recent article in Remezcla that explores a fascinating new architectural movement in Bolivia inspired by the indigenous Aymara (who make up the majority of the country’s population, yet have long been marginalized). Centered in the sprawling metropolis of El Alto, which is located over 13,000 feet above sea level, this Andean or “Neo-Andino” style is like nothing else I have ever seen, combining modernist geometric patterns with the ornate and colorful motifs of the Amarya.
The leader of this eclectic architectural revolution — the “Aymara version of Michelangelo”, as some publications have called him — is a mostly self-taught forty-one-year-old architect named Freddy Mamani, who was inspired to “inject some color” into El Alto’s drab cityscape. The popularity of his style, especially among the rising middle class, reflects a cultural renaissance among indigenous Bolivians, who until recently were largely marginalized both socially and politically despite their numbers.
Remezcla has an illuminating interview with Mamani, whose works have already been the subject of a book, song, and several news reports, and can be seen in other cities in Bolivia, as well as in Peru and Brazil. It is great to see something new emerge in a global architectural scene that has largely become monocultural, with cities across the globe adopting more or less similar Western modernist motifs. It is even more exciting to witness a resurgence in one of the world’s richest and hitherto repressed cultures. As more Latin Americans of indigenous descent finally get their due economic, social, and political opportunities, we can expect to see more of their long-neglected culture gain a platform.