Still Life: Vase with Pink Roses by Vincent van Gogh. It was painted in 1890 while Van Gogh was preparing to leave the asylum in Saint-Rémy for the quiet town of Auvers-sur-Oise.
As his departure neared, he became increasingly optimistic about his future, as reflected in his choice of subject and colors: Van Gogh had a love for flowers of all kinds, and tended to paint them in his brighter moments. Vivid colors similarly reflected a more positive mood. Continue reading
As I have discussed here before, most maps of the world are spatially wrong, due to the inherent difficulty of projecting a spherical planet into two dimensional form. Some landmasses end up looking far larger than they are (notably Greenland and Antarctica) while others appear much smaller (such as Africa and Australia). Continue reading
Today’s featured picture on Wikipedia — which represent the highest quality and most valuable images publically available on the site — is a personal favorite of mine: The Peasant Wedding, a Renaissance-era oil painting by Flemish painter Pieter Bruegel the Elder. (The Flemish people live primarily in the Flanders region of what is now Belgium.)
What I love most about this painting is its slice-of-life subject matter: at a time when most well-known paintings were of merchants, aristocrats, or religious figures and events, Bruegel’s trademark was depicting various aspects of peasant life in the 16th century. (Indeed, he was known as the “Peasant-Bruegel” for his unconventional, though still often symbolic portrayal of the common person.)
You can read more about the painting, including speculation as to who the groom is, here. (The bride is sitting in front of the green textile hanging on the wall, right below what has been identified as a paper crown.)
While there remains tens of millions of people of indigenous descent throughout Latin America, much of their culture has been forgotten, deliberately repressed, or socially marginalized by the Spanish-influenced mainstream. Thankfully, a vast corpus of native languages, customs, folk beliefs, music, and visual art remains influential in many Latin American countries, and in some cases are even thriving. But architecture was generally absent from the long list of indigenous influences that, to varying degrees, remain prevalent (knowingly or not) in Latin American culture.
Hence my surprise, and subsequent delight, at a recent article in Remezcla that explores a fascinating new architectural movement in Bolivia inspired by the indigenous Aymara (who make up the majority of the country’s population, yet have long been marginalized). Centered in the sprawling metropolis of El Alto, which is located over 13,000 feet above sea level, this Andean or “Neo-Andino” style is like nothing else I have ever seen, combining modernist geometric patterns with the ornate and colorful motifs of the Amarya.
The leader of this eclectic architectural revolution — the “Aymara version of Michelangelo”, as some publications have called him — is a mostly self-taught forty-one-year-old architect named Freddy Mamani, who was inspired to “inject some color” into El Alto’s drab cityscape. The popularity of his style, especially among the rising middle class, reflects a cultural renaissance among indigenous Bolivians, who until recently were largely marginalized both socially and politically despite their numbers.
Remezcla has an illuminating interview with Mamani, whose works have already been the subject of a book, song, and several news reports, and can be seen in other cities in Bolivia, as well as in Peru and Brazil. It is great to see something new emerge in a global architectural scene that has largely become monocultural, with cities across the globe adopting more or less similar Western modernist motifs. It is even more exciting to witness a resurgence in one of the world’s richest and hitherto repressed cultures. As more Latin Americans of indigenous descent finally get their due economic, social, and political opportunities, we can expect to see more of their long-neglected culture gain a platform.
For all its cultural richness and creative talent, Africa is not yet known globally for its art scene. But with improving living standards, greater investment in education and fine arts programs, and growing access to technology, an increasing number of aspiring artists on the continent are finding it more palatable to engage in and market their works.
Among the many African artists leading the way is Olumide Oresegun, a Nigerian painter whose works are breathtakingly realistic and details. Many of them look like outright photographs.
The 35-year-old has had a passion for art his whole life, and has been painting professionally for nearly decade. But since posting photos of his paintings on Instagram, he has garnered much international attention — rightfully so in my view — which he hopes will help serve as a springboard for other African artists.
Learn more about the artist at PRI.org.
Count on Italy, with its rich history and vast cultural heritage — including the most UNESCO World Heritage Sites in the world — to spearhead the first “cultural peacekeeping force” of its kind.
Citing the Milan-based Italian daily Corriere della Sera, Worldcrunch’s Le Blog reports that the taskforce, which will operate under the auspices of the United Nations, will be comprised of both Italian military personnel and various experts in art history, antiquities, and restoration projects. Continue reading
From early childhood up until my early twenties, I was an artist. Not in any particularly prolific or professional sense; just someone who liked to sketch, doodle, and draw fairly regularly. I cannot recall when or why I stopped exactly, but I have been meaning to get back into it, and on occasion I do manage to pull of a crude sketch or two.
A recent article in the Washington Post is giving me yet another reason to get back into the habit. As so many artists throughout history have attested, there is evidence that creative activity is good for the mind, as well as the body, being utilized to great effect in therapy. Everything from depression to post traumatic stress disorder and even cancer (namely symptoms like fatigue and pain) is mitigated through the creative process.
Whatever the exact mechanics of it, there is just something about making art that helps us feel better, both emotionally and physically. Here are four evidence-backed reasons, courtesy of WaPo and Fulfillment Daily, why letting loose with one’s inner creativity, regardless of skill level, is well worth trying. Continue reading
The Soviet regime might have been repressive and stultifying in a lot of areas, but one place where it exercised a considerable amount of boldness and innovation is public infrastructure — including the humble bus stop.
The photos were taken by Canadian photographer Christopher Herwig, who has spent over a decade travelling through most of the former Soviet Union to document these neglected architectural marvels. You can see a larger version of each photo by clicking here.
With their unusual colors, shapes, and themes, these otherwise functional structures look more like art installments than bus stops. As Foreign Policy explains:
The Soviet Union ascribed an outsized importance to public transportation. Buses, trains, and metro lines were a sign of progress; they were also a powerful symbol of connection and unity, as the Politburo worked to build a communist society throughout 15 ethnically diverse republics that covered a landmass stretching from the Baltic Sea to the shores of the Pacific. Perhaps the most famous legacy of this Soviet fixation on transport is the Moscow Metro system, with its glittering chandeliers and its elaborate murals depicting scenes of proletariat glory. But Moscow was dressed up in order to be shown off — to serve as a demonstration of socialist power and might for visiting foreign dignitaries. Most citizens lived outside the capital, and for them, buses were the predominant means of transportation, accounting for nearly 44 percent of traffic throughout the country by the mid-1980s. What makes the extravagant, eye-catching nature of the common Soviet roadside bus stop all the more surprising is that these were often tucked away in hidden corners of the empire, far from the eyes of foreigners.
Soviet architecture is best known for its overpowering conformity and functionality: The term conjures up images of rows of low-slung buildings and mass-produced apartment blocks. These bus stops, however, were an unlikely outlet for creative expression. Local artists were given unprecedented freedom to experiment with design, color, and material. Many of the designs were commissioned at the local level, which allowed for artists and architects to reflect the character and history of their individual republics. What came about was thousands of unique creations, covering a range of shapes and sizes.
Artists still worked within the confines of Soviet art, employing communist imagery of peasants in wheat fields and relying on austere, minimalist structures. But the more flamboyant bus stops reimagined this aesthetic, twisting standard outlines and incorporating local elements into their design. For instance, a bus stop modeled after the Silk Road-era Arystan Bab mausoleum in Aralsk, Kazakhstan sports a minaret and crescent moon, while one in the Black Sea coastal town of Gagra takes the shape of a breaking wave, decorated with purple mosaic tiles.
These are just some of the amazing examples from Herwig’s collection. You can find more in his newly published “Soviet Bus Stops“.
After two years and about five terabytes of footage, Thomas Pöcksteiner and Peter Jablonowski have created an unforgettable time lapse of their country. In less than three minutes, you can really appreciate the sheer natural and cultural beauty of this alpine nation of 8 million.
Courtesy of Gizmodo.