Designed by architect Peter Eisenman and engineer Buro Happold, the Holocaust Memorial in Berlin, officially known as the Memorial to the Murdered Jews of Europe, is intended to evoke a chaotic, cold, and uneasy atmosphere — which I feel it accomplishes quite effectively, even based on this photo by Gerd Ludwig.
According to Eisenman himself, “The sculpture represents a supposedly ordered system that has lost touch with human reason.” One critic noted that the memorial “is able to convey the scope of the Holocaust’s horrors without stooping to sentimentality — showing how abstraction can be the most powerful tool for conveying the complexities of human emotion”.
Moreover, it stands out for lacking the symbolism that is typical of traditional memorial designs, although many have argued that the sculpture resembles a cemetery (which in any case is still an effective invocation in my opinion).
I personally could not think of a more apt approach to representing the senselessness and wanton cruelty that characterized one of history’s largest genocides. The scale of the memorial, which is better captured in the photo below, must make it a powerful experience (one that I hope to understand when I visit Berlin one of these days).