Raw Story reports on an interesting effort to faithfully recreate the music of the millennia-old Sumerian and Babylonian civilizations. Combining musical talent with meticulous archaeological research, this unique endeavor is delightful on both an anthropological and sensory level. You can hear haunting and elegant samples through the hyperlink or here.
More about the team behind this one-of-a-kind project:
…After completing a degree in music composition [singer and composer Stef Conner] got deeply interested in Babylonian literature and poetry—which was originally recorded in cuneiform, wedge-shaped marks on clay tablets.
But the words on the paper, the modern incarnations of these mineral etchings, were not enough for Conner. She wanted to know what these languages sounded like, to summon life from stone. Many of these poems and snatches of writings were sung and chanted, according to historians. The tunes played an important part in rituals in Mesopotamian societies, from funerals to lullabies, Conner says.
So she teamed up with Andy Lowings, who reconstructs ancient instruments and plays a mean lyre, a musical instrument with strings that resembles a harp. The two set out to create music that brings ancient Babylonian poetry to life, and The Flood is the result. It was produced by sound engineer Mark Harmer and can be found on Conner’s website; it will also come out on iTunes next month.
I strongly recommend giving their work a listen. It has been captivating me for the past two days now, especially during my busier working hours. Very soothing stuff.
Here is more about the music from the original website, from which you can pre-order the album:
Out in December 2014, ‘The Flood’ is a creative collaboration between Stef Conner, Andy Lowings (instrument-builder, harpist and creator of the Gold Lyre of Ur Project) and Mark Harmer (sound engineer, producer and harpist). Based on Mesopotamian texts from as early as the 4th millennium BC and composed for voice and the Lyre of Ur (a reconstructed 4500-year-old instrument excavated in the early 20th century from the Royal Graves at Ur), the album is the first ever CD of new music sung entirely in Sumerian and Babylonian. The incredible texts have inspired some of the strangest, rawest and most gripping, otherworldly songs you will ever hear, as well as some fun, amusing and often downright bizarre little excursions into the ancient Mesopotamian world, which reveal that in many ways, people in that remotest of times were actually a lot like us!
As the Raw Story articles notes, neither Conner nor her collaborators claim that these songs are a totally faithful recreation — after all, no human voice has uttered these compositions in thousands of years. But it definitely comes as close as one ever could. Conner studied the Babylonian and Sumerian languages deeply to determine the likely stresses and innotations, while Lowings built his lyre to be as similar to the ancient designs as possible. They even got help from Anne Draffkorn Kilmer, who recreated the 4,000-year-old Hurrian hymn to Nikkal, considered the oldest song in the world.
Given all that, I think it is safe to say that this is accurate as the piece comes given all the time that has past. It is amazing that anyone even made the effort! And whatever its authenticity, this labor of love is a beautiful listen. It almost transports you back to the mysterious city-states that made comprised these cradles of human civilization.