This Halloween, I want to highlight the creepy and captivating works of Polish painter, photographer, and sculptor Zdzisław Beksiński (24 February 1929 – 21 February 2005). Describing his style as ‘Baroque’ or ‘Gothic’, the first and most well-known period of his work — from the late 1960s to the mid-1980s — consisted largely of surreal, post-apocalyptic environments and/or very detailed scenes of death, decay, and deformity.
Beksiński stated, “I wish to paint in such a manner as if I were photographing dreams”, and was known for his meticulous attention to detail. He claimed music, namely the classical genre, was his main source of inspiration, and that he was not influenced by literature, film, or other artists.
Despite the grimness of his work, he saw them as humorous and even optimistic, though he also noted that even he did not know their meaning. In fact, he was uninterested in possible interpretations and subsequently refused to provide titles for any of his drawings or paintings, going so far to often avoid the openings of his own exhibitions.
Although shy and low-key, Beksiński was known to be a pleasant and gregarious person with a great sense of humor and keen love of conversation.